Featuring two videos and a performance by SHAWNÉ MICHAELAIN HOLLOWAY, along with accompanying text by Kathy Cho, 2020–2021 Curatorial Fellow.

Featuring a selection of videos produced by Carlota Schoolman and her production company Fifi Corday Productions, and projects she produced while working for The Kitchen. Also included are an introductory text contextualizing Schoolman’s tenure as The Kitchen’s Video Director from 1974–1977 and Associate Director for Television Production from 1978–1986, transcribed excerpts from an oral history with Schoolman, images, and ephemera.

Featuring two videos from Fawn Krieger’s mixed media work Property Acts (2012), which was commissioned for the 2012 exhibition Matter Out of Place. Also included are introductory texts by Curator Lumi Tan and Krieger, an interview between the artist and Sacha Yanow, and a variety of studies, reference materials, and installation views.

Featuring a recording of the live television broadcast We Interrupt This Program (1991), along with ephemera and a video conversation between the director of the show, Charles Atlas; scholar Roderick Ferguson; art historian and former Visual AIDS Program Director Alex Fialho; and one of the participating artists, Robbie McCauley.

Featuring a recording of Jill Kroesen’s performance Stanley Oil and His Mother: A Systems Portrait of the Western World (1977), along with archival images, ephemera, and a new interview between Kroesen and Alison Burstein, Curator, Media and Engagement.

Featuring a performance recording of Richard Kennedy’s opera Fubu Fukú (2020), along with images and an accompanying text by the artist.

Featuring footage of Greg Mehrten, Ron Vawter, and Marianne Weems’s Queer & Alone (1993), along with an introductory text written by 2019–2020 Curatorial Fellow Elizabeth Wiet; ephemera related to the artist trio’s Fall 1993 residency at The Kitchen; Ken Kobland’s End Credits (1994); and a video conversation between Mehrten, Weems, and Wiet.

Featuring an audio-essay by Ethan Philbrick on the colonial history of a Baroque slow dance called the Sarabande, as well as video documentation of a first meeting in an ongoing, remote collaborative research process between Philbrick and six dance artists: Anh Vo, Tess Dworman, Niall Jones, Tara Aisha Willis, nibia pastrana santiago, and Moriah Evans.

Featuring excerpts from a performance recording of Beau Bree Rhee, Performance Paysage (translation Performance as Landscape) (2020), along with an accompanying text and drawings by the artist.

Featuring a performance recording of Sahra Motalebi, Directory of Portrayals (2017), along with artist’s comments, an excerpt of the Director’s notes, and production images.

Featuring a performance recording of Wadada Leo Smith, Rosa Parks: Pure Love. An Oratorio of Seven Songs (2019), along with a composer’s note and still images.

Featuring materials related to Lawrence Weiner’s video Do You Believe in Water (1976), including archival images, ephemera, and excerpts from a recent conversation between Weiner and The Kitchen’s Executive Director and Chief Curator, Tim Griffin.

Featuring a recording of a panel discussion with Lauren Berlant, Sadhana Bery, Rizvana Bradley, Jane Caflisch, Lori Gruen, and Saidiya Hartman that took place at The Kitchen in 2018.

Featuring still images of Moriah Evans, Configure (2019) performed at The Kitchen; a statement written by the artist; and an excerpt from the score of movement strategies for this piece.

A tribute to a longtime member of The Kitchen’s community, Hal Willner, featuring a statement from Executive Director and Chief Curator Tim Griffin, reflections from artists who collaborated with Willner, and excerpts from the television show Night Music.

Featuring archival recordings of two performances by Eiko & Koma, Trilogy and Nurse’s Song (both 1981), along with images and a written response by one of Eiko’s current collaborators, artist DonChristian.

Featuring a video of Lex Brown’s performance Foccaciatown:Reloaded (2019) along with related images and an accompanying text written by the artist.

Featuring music videos created by Testu Collective (Serena Stucke and Dan Tesene) for the five songs that comprise Clarice Jensen’s recent album The experience of repetition as death (2020), along with introductory notes from the artists.

Featuring a new video that relays two texts from the zine for after summer (2019) and an excerpt from the recording of the performance in December alongside a new text written by the artist.

Featuring a 3D rendering of the installation Vomitorium (2020) alongside a single-channel excerpt from the video.