June Canedo de Souza: “Every Memory Belongs to a Myth”
Featuring June Canedo de Souza’s ongoing project, Every Memory Belongs to a Myth, alongside an introductory text by Lumi Tan and writing by the artist.
A Dialogue with E. Jane
E. Jane’s first solo institutional exhibition Where there’s love overflowing is on view at The Kitchen through May 14, 2022. While the artist was installing their work at The Kitchen, Curatorial Intern Alexis Jacquet spoke them about the intersection of art and music, and the research behind the new pieces created for this exhibition. In the conversation below, they get into the legacy of Black femmes in the music industry, how history informs the work of music covers, the realities of working as both visual and performing artist, and the power of love…
Woody Sullender: “Four Movements: Live at the Kitchen”
Featuring a new video by Woody Sullender, Four Movements: Live at the Kitchen (2021), which expands on the artist’s music album constructed in video game space, Four Movements (2020). A text by the artist accompanies the video.
Fawn Krieger: “Property Acts”
Featuring two videos from Fawn Krieger’s mixed media work Property Acts (2012), which was commissioned for the 2012 exhibition Matter Out of Place. Also included are introductory texts by Curator Lumi Tan and Krieger, an interview between the artist and Sacha Yanow, and a variety of studies, reference materials, and installation views.
In Conversation with the Cast and Crew of “By Faith”
Baseera Khan was in residence through The Kitchen at Queenslab from September 11–October 11, 2020, working on producing a pilot for their television show, By Faith. On October 8, Khan, Curator Lumi Tan, Director/Producer Ethan Weinstock, and Cinematographer Chris Wairegi were in conversation for a virtual wrap party…
Tina Girouard: “Pinwheel”
In collaboration with Anat Ebgi Gallery, Los Angeles, The Kitchen will present a historic restaging of Tina Girouard’s Pinwheel (1977) for the inaugural Meridians sector at Art Basel Miami Beach from December 4–8 with daily performances at 3pm. The nearly hour-long piece…